CLAUDIA LARA
exhibitions
hemostasia
Group exhibition with Lourdes Duarte, Raquel Camacho and Rosangela Soares and curated by Emanuel Monteiro. Galeria Parque das Ruinas, Santa Tereza, Rio de Janeiro. From 05/11 to 01/12 2019
Group Show
Entre Percursos,
Vastas Memórias
Claudia Lara
Guita Soifer
Rita Vaz
hemostasis
Group exhibition with Lourdes Duarte, Raquel Camacho and Rosangela Soares and curated by Emanuel Monteiro. Galeria Parque das Ruinas, Santa Tereza, Rio de Janeiro. From 05/11 to 01/12 2019
Dos Brasis - Arte e pensamento negro
 |  |  |  |
|---|---|---|---|
 |
Maria Bueno
e Tantas Outras
 |  |  |
|---|
hemostasis
Group exhibition with Lourdes Duarte, Raquel Camacho and Rosangela Soares and curated by Emanuel Monteiro. Galeria Parque das Ruinas, Santa Tereza, Rio de Janeiro. From 05/11 to 01/12 2019
feminine strategies
The exhibition features a selection of 95 works produced by Brazilian women since the beginning of the 20th century. XX to the present day. These are works by 53 artists who impact through their artistic-conceptual power and which - whether through denial, contestation, deconstruction, resignification, self-representation, deformation, allegory, humor - problematize the constitutions, conditions and cultures of "feminism ".
Farol Santander, Porto Alegre, RS. From 10/15/2019 to 02/09/2020
secrets I inhabit
Collective work with artists Giovana Casagrande and Leila Alberti.
Intervention with sewing, applications and voile embroidery, application of embroidery on river stones, dry twigs and crochet,
3x6x6 meters
Work selected for the 66th Salão Paranaense, MAC - Museu de Arte Contemporânea do Paraná, currently operating at the Orcar Niemeyer Museum, Curitiba/PR.
 |  |  |  |
|---|---|---|---|
 |
scraps that belong
Solo exhibition at the Department of Education and Culture of the State of Paraná, SEEC, in 2005. Curitiba/PR.
The works are made with discarded scraps from decoration stores, created and designed with charcoal chalk and pastel chalk. The scraps leave the environment and live in the state of the art. The patterns, which no longer represent an era or fashion, become timeless.
 |  |  |  |
|---|---|---|---|
 |  |